Articles Archives - Nightmarish Conjurings

[Article] RATCHED – How Sarah Paulson Took on the Titular Role

Nightmarish Conjurings recently attended the press junket for the upcoming anticipated suspenseful-drama series, RATCHED, which seeks to tell the origin story behind one of the top

[Article] THE NEW MUTANTS Talk Filming Inside a Psychiatric Hospital

Since its proposed original release date of April 2018, THE NEW MUTANTS has faced a litany of challenges that included date changes, the Disney/Fox merger,

[Listicle] FABULOUS AND FATAL: 13 WOMEN IN HORROR

**Spoilers abound! You have been warned!** When it comes to women in horror, often women are the heroines of the piece. Frequently, it is the

[Article] American Cinematheque’s Road Trip to the Drive-In

We get it. There’s a worldwide pandemic. It’s dangerous to go outside. You’re stuck inside most of the time and movie theatres aren’t open for

[Article] Misha Green on Racism & LOVECRAFT COUNTRY

This past Sunday saw the release of the highly anticipated horror/sci-fi/fantasy series LOVECRAFT COUNTRY from executive producers Misha Green, Jordan Peele, and J.J. Abrams.

[Article] THE ONE AND ONLY IVAN and the Power of Art

Disney’s THE ONE AND ONLY IVAN, an adaptation of the award-winning book about one very special gorilla, is an unforgettable tale about the beauty of

[Listicle] Three Films that Turned Timothee Chalamet Into an Assassin

He was born Timothée Hal Chalamet in late December in the year 1995 in Manhattan, New York. Hal? Sure, we’ll go with it. He’s been

[Retrospective] Reflecting on MIRROR MIRROR

Released in the summer of 1990, MIRROR MIRROR was one of a flood of lower-budget titles released during the home video boom, their super limited

[Open Letter] We Need to Talk About the Women in Horror Movement

This discussion is long overdue. What started with the best intentions well over a decade ago has turned into a highly problematic scene that at

[Article] Why DOOMSDAY Deserves More Love

Though it wasn’t very well received by critics (most of whom, I would argue, missed the point), DOOMSDAY (2008) is a brilliantly wild and sprawling celebration of

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