[Fantastic Fest 2023 Review] STRANGE DARLING

STRANGE DARLING, the sophomore feature film by writer/director JT Mollner (Outlaws and Angels), is a visual and narrative masterpiece that defies expectations and delivers an enthralling theatre experience. At the halfway point of a film festival, many people have chosen their favorites and can’t wait to tell everyone about their top picks. STRANGE DARLING is definitely such a film because at any given time of the fest, it’s hard to find a group of people not talking about this movie. With a meticulously structured non-linear narrative, stunning cinematography, and powerful performances, it stands out as one of the most surprising and impactful films of this year’s Fantastic Fest.

The film opens with an ominous proclamation that it is a dramatization of events involving a notorious serial killer, which immediately sets an eerie tone. We are introduced to the young woman (The Lady), played by the talented Willa Fitzgerald, who is fleeing from a menacing pursuer (The Demon) portrayed by Kyle Gallner. What follows is a gripping and relentless chase, which serves as the foundation for a story that constantly keeps the audience wondering how this story started and how will it end.

Willa Fitzgerald‘s performance is nothing short of exceptional. From the very beginning, she lures the audience in as she plays a woman in peril, and her portrayal is both visceral and immersive. Fitzgerald’s ability to convey a wide range of emotions (particularly fear and desperation) lends authenticity to her character and makes her journey profoundly engaging. Kyle Gallner (in the role of the relentless pursuer) delivers a performance that is just as effective, even though it requires more restraint and silence.

Together, Fitzgerald and Gallner create an electrifying and bloody on-screen dynamic that propels the narrative forward (and backward). And just for laughs, the film also benefits from the contributions of Ed Begley Jr. and Barbara Hershey in supporting roles. While their appearances are relatively brief, they add depth and nuance to the story (and set a pretty high standard for relationship goals). Nevertheless, STRANGE DARLING unequivocally belongs to Willa Fitzgerald, whose electric presence dominates the screen.

While some films may falter when utilizing non-linear storytelling, STRANGE DARLING handles it with finesse and gives many audience members a sort of Pulp Fiction déjà vu. The deliberate arrangement of chapters adds layers of deception and suspense to what initially seems like a straightforward thriller. The film’s progression from chapter to chapter is seamless and ensures that viewers will remain emotionally connected to the story rather than becoming distracted by its more complex timeline.

And what truly elevates STRANGE DARLING to a cinematic gem is its visually stunning cinematography. Shot on 35mm film by Giovanni Ribisi, the film’s visuals are nothing short of breathtaking. Ribisi’s proves himself as a cinematographer as he expertly manipulates colors and contrasts to create a surreal atmosphere that perfectly complements the film’s bloody themes and tone. It’s a rare cinematic experience where the visuals alone are worth the price of admission.

At this year’s Fantastic Fest, one movie seems to be a clear stand-out and is still being discussed days after the premiere. STRANGE DARLING is a cinematic triumph that deftly navigates non-linear storytelling to deliver a suspenseful and emotionally resonant thriller. Willa Fitzgerald’s powerhouse performance, coupled with the film’s stunning visuals, makes it a standout in its genre (or any genre). It is a testament to the skillful direction of Mollner and the creative collaboration with cinematographer Ribisi.

While the film may overstay its welcome slightly in its final act, it remains a compelling and unforgettable cinematic experience and the painful lingering expression of the final shot only emphasizes that. STRANGE DARLING is definitely a must-watch for those seeking a thrilling and visually mesmerizing journey into the unknown.