Set against the autumnal palette of the harvest season in 1973, THE CURSE OF AUDREY EARNSHAW explores the disturbed bond between Audrey, an enigmatic young woman, and Agatha, her domineering ‘mother’, who live secretly as occultists on the outskirts of a remote Protestant village. As the community is besieged by a pestilence of unknown origin: children, fields, and livestock begin to die — yet the Earnshaw farm remains strangely unaffected. As mass hysteria sets in the village, the townsfolk commence accusations against Audrey and Agatha of witchcraft.

Capturing a perfect mixture of religious paranoia and folklore horror, Thomas Robert Lee’s THE CURSE OF AUDREY EARNSHAW is a haunting and unflinching tale of vengeance.

THE CURSE OF AUDREY EARNSHAW stars Catherine Walker (A Dark Song, “Cursed“), Jared Abrahamson (American Animals, Be Afraid), Hannah Emily Anderson (Jigsaw, “The Purge”), Geraldine O’Rawe (“Seven & Me”, Adoration), Don McKellar (Blood Honey, Through Black Spruce), Sean McGinley (Braveheart, The Butcher Boy), and introduces Jessica Reynolds as Audrey Earnshaw.

“I wanted to tell a story about legacy, and to specifically explore it within the context of a folk horror narrative,” says writer/director Thomas Robert Lee. “The community grows increasingly desperate as their given circumstances grow dire. In reality, the pandemic appears to have amplified hatred and xenophobia, or at least the voices of those spewing hate speech. Obviously, there is a world of difference between my screenplay and the very real ramifications of the pandemic, but the similarities, however surface-level they may be, have certainly been on my mind these past months.”

THE CURSE OF AUDREY EARNSHAW celebrated its world premiere at Fantasia Fest 2020, coming out with raving reviews. You can check out our review here.

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Sarah Musnicky

Managing Editor at Nightmarish Conjurings

Sarah is the managing editor of Nightmarish Conjurings and a lover of all things magical and horrific. All who are familiar with her can attest for her love of glitter, adorable plush, and obsession with folklore and mythology. When she's not chasing after things she probably shouldn't hug, Sarah is making sure that Shannon's sanity stays intact long enough for deadlines to be tackled.

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Sarah Musnicky

Sarah is the managing editor of Nightmarish Conjurings and a lover of all things magical and horrific. All who are familiar with her can attest for her love of glitter, adorable plush, and obsession with folklore and mythology. When she’s not chasing after things she probably shouldn’t hug, Sarah is making sure that Shannon’s sanity stays intact long enough for deadlines to be tackled.

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