The Miskatonic Institute Horror Studies - London welcomes Watchmaker Films founder Mark Rance to discuss the process and importance of film restoration while putting a spotlight on his challenging work on the NOSFERATU release.
This show-and-tell lecture will illustrate many of the issues encountered and (with varying degrees of success) resolved in a digital restoration of Murnau's NOSFERATU. They will begin with a description of the original production and the technology used to make the film. The film's own troubled history complicated the film's physical reconstruction, and that impacted the digital restoration. The reconstructed master print was made from many disparate elements, as a single negative was simply not available. They will examine many scenes and shots in a side-by-side comparison of the unrestored reconstructed print and the digitally restored version of the same material. This talk will investigate many of the problems faced by any restoration team when not all the original elements are available. They will examine the use of VFX tools, grain management, tinting processes and photo-chemical to digital translation issues when restoring motion pictures.
This talk will primarily explore the complex and subjective issues currently floating around in many analog-versus-digital discussions of film and how those opinions can influence the determination of what the restored version should look like if the goal is to replicate the original projected image at the time of first release. Can digital restorations generate valid preservation copies of photo-chemical material? Let's find out.
The Miskatonic Institute of Horror Studies - London - A Restoration of 'Nosferatu' (1922):
Date: April 19th 2018
Time: 7pm - 10pm
Venue: The Horse Hospital
Address: Colonnade, Bloomsbury, London WC1N 1JD
Prices: £10 advance / £11 on the door / £8 concs (students/seniors with ID)
For more information visit www.miskatonic-london.com or www.miskatonic-london.com/events/a-restoration-of-nosferatu-1922/
ABOUT THE INSTRUCTOR
Mark Rance is a documentary filmmaker who for many years was a producer at The Criterion Collection before forming his own company in Los Angeles and producing DVDs and Blu-rays for the Hollywood studios. His titles include THE SILENCE OF THE LAMBS, ROBINSON CRUSOE ON MARS, HARD EIGHT (aka SYDNEY), BOOGIE NIGHTS, MAGNOLIA, SEVEN, I,ROBOT, THE PRESTIGE, RESERVOIR DOGS and THE DARK KNIGHT. He moved to London in 2004 and established Watchmaker Films to restore and distribute lost independent films. Those restorations include Eagle Pennell’s THE WHOLE SHOOTIN’ MATCH and LAST NIGHT AT THE ALAMO; Tobe Hooper’s first feature, EGGSHELLS; and Jack Hazan’s A BIGGER SPLASH.
ABOUT THE MISKATONIC INSTITUTE OF HORROR STUDIES
Named for the fictional university in H.P. Lovecraft’s literary mythos, the Miskatonic Institute of Horror Studies is an international organization that offers university-level history, theory and production-based masterclasses for people of all ages, founded by film writer and programmer Kier-La Janisse in March 2010, with regular branches in London and New York as well as presenting special events worldwide. The UK branch is co-run by Janisse and Josh Saco, of Cigarette Burns Cinema.